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[A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z]
A:
Alternative Experience with Form.
Installation View of MFA Thesis installation, 1973. Clockwise from
left "Triple Form Identification", "Environment 1", "Sphere", Hearts".
(Solo). 1974 Division of Creative Arts, Purdue University. (Solo).
1975 Dennison University Gallery. (Solo).
Annie.
Bronze. First 1/7 completed 2000. 14"x60"x20". Shown as a plaster
- 1993 "Arlington Artists Celebrating our Own" Cat. P. Denning.
1995 "Symmetry: Culture and Science" ISIS (International Society
for the Interdisciplinary Study of Symmetry) Washington. D.C.
Shown as a bronze - The Carnegie, Covington, KY. 2004 - Shirley-Jones Gallery, Yellow Springs, OH. 2007.
Anolatabulata Photo Drawing
1979. Photos and dots on card. 31.5”x40”. 1979: Bertha Urdang Gallery, N.Y.
Anolatabulata’s basic cell.
Made in various materials from 1974 to present. Exhibits --
1973 as element in "Hearts" a piece in "Alternative Experience
with Form" MFA Thesis Exhibition, OSU. In "Herd" Cincinnati Creative
Arts Festival. 1974 Free floating at Columbus Arts Festival and
in Sebasco Bay Maine. 1976 at the New Gallery, Cleveland. 1979
In "Drawing on Sculpture" Bertha Urdang Gallery, N.Y. 1991 in "Devi’s
Beach" Gallery Vistavka, Kiev, Ukraine. 1997 As part of "Anolatabulata
Reprise" in "TAO IV " Upper Arlington Municipal Gallery and "Excerpts
from a Grand Unification Theory 1975-1977" Castleton College VT.
Anolatabulata Version I c. 1976.
Installation in King Ave Studio. App14’x60’x40’ Colored Vinyl.
Inflated. 1992 Gallery Vistavka, Ukraine Union of Artists, Kiev.
Anolatabulata Reprise, 1977.
59 individual sculptures plus "Double Zeeman". 1977 "TAO VI"
Upper Arlington Cultural Arts Commission. 1977- "Excerpts from a
Grand Unfication Theory 1973-1977" Christine Price Gallery, Castleton,
VT. (Solo)
Anolatabulata Print 1978 79.
Vinyl ink printed on vinyl. 54" x c 114". Plan for 59 individual
Anolatabulata sculptures that when cut and constructed into a Double
Zeeman’s Dunce Cap show gives spatial location relating pieces in
several directions. 1979 - Shown in "Drawing on Sculpture" Bertha
Urdang Gallery, N.Y.
Anolatabulata - Double Zeeman.
Compact ordering of spatial arrangement for complete Anolatabulata
set.
App. 26" x 26". Made from vinyl ink on vinyl print c. 54" x108"
cut and welded. 1979 - "Drawing on Sculpture" Bertha Urdang Gallery,
N.Y. (Catalogue with essays by Robert Pincus-Witten and Philip Huneke).
1992 - Gallery Vistavka, Ukraine Union of Artists, Kiev. 1995
ISIS Symmetry, Washington, D.C. 1997 "TAO IV" Upper Arlington
Cultural Commission. 1997 "Excerpts from a Grand Unification Theory
1973-1977" Christine Price Gallery, Castelton, VT. (Solo).
Anolatabulata Photographs - c 1976-9.
59 individual photographs of Anolatabulata pieces as installed
in Bertha Urdang Gallery, 1979. Also : 1992 Gallery Vistavka, Ukraine
Union of Artists, Kiev, Ukraine. 1998-99-91 "Action Replay: Post
Object Art" Auckland Artspace and Govett Brewster Museum, New Plymouth,
New Zealand. Curator W.Curnow.
Antioch Graces 1982.
. Decorator acrylic on vinyl. Each 40’x3’x3’. Collectively various.
1982 "Selections: Ohio Arts Council Fellowships 1981-1982" Solo
at Antioch College, OH. Selection and cat. essay by William Olander.
Archimedes Excursion 1974.
Two pieces each app. 10’x25’x10’. 1974- Commissioned for "Art and
Technology" Columbus Festival with Art Blom and Charles Csuri. 1998
"Convergence XI" Providence, R.I. The Carnegie, Covington, KY. 2004
Archimedes Roll, 1974.
Vinyl. c.10'x40'x10'. 1974: Columbus Art Festival. The Carnegie, Covington, KY. 2006.
Asymmetric Graces , 1983.
Decorator acrylic on vinyl. Each 20’x3’. Photo in King Ave Studio.
Asymmetric Universe 1980.
Printed vinyl ink on vinyl. c 2’ x 4’ x 2’. 1980 In "Drawing
on Sculpture Helices" Bertha Urdang Gallery, 57th Street. N.Y.
Collection Agnes Denes.
B:
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Blew Screw, 1973.
Vinyl. c.8'x40'x8'. Made specifically to screw through Springfield
Gallery, 1974.
Blowfish 1987-89.
Acrylic on vinyl covered with resin. 40"x24"x24". 1989-90 "I
Keep Working" Bertha Urdang Gallery, N.Y. 1990 "TAO IV" Katz and
Dawgs, Columbus, OH.
Blue Dance 1989.
Acrylic on Vinyl. 90"x24"x24". 1989-90 "I Keep Working" Bertha
Urdang Gallery, N.Y. 1993 "Arlington Artists: Celebrating Our
Own" Upper Arlington Cultural Arts Commission. Curator and Catalogue
essay P. Denning.
C:
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Clonal I 1972.
Ceramic on plywood. 23"x 2.75" x 41". 1973 Ohio Designer Craftsmen,
Columbus Museum of Art. 1973 75 - Traveling exhibition Ohio Designer
Craftsmen. 1999 Ceramics Department Alumni Exhibit at National
Ceramic Congress. Collection Christopher and Kathryn Collings.
Colored Universe
abt. 1980 Fabric. app. 14’x8’d. 1991 Gallery Vistavka, Kiev, Ukraine. 2004, Carnegie Art Center, Ky. U.S.A. 2005, View form Dione, Ohio Art League, Columbus, OH.
Con(jug)ate 3 1977.
Clear Vinyl. 12 inflated pieces each app. 2’x3’x 2’. 1977 "Ten
From the File", Columbus Museum of Art. Selection and catalogue
by Lawrence Alloway.
Con(jug)ate 4 1976 .
Interpolation D" 1976. One of 30. c. 2’x 4’x2’. 1976 Kent State
University . Installation with Ginna Brand. The Carnegie, Covington, KY. 2004
Con(jug)ate 4 1976.
Vinyl 5’x3’. One of about 7 as installed at Kent State University
Gallery. Complete set = 30.
Conjugate 4 1976.
During installation of approx. 7 unit sequence from set of 30.
Each approx. 5’x3’x3’. 1976 - Kent State University exhibition with
Ginna Brand.
Con(jug)ate 4 1976.
Detail from installation. 1976 Installation Kent State University
Gallery.
Con(jug)ate Complementary 1977. (Con(jug)ate 3)
Single unit from set of 12. Clear Vinyl welded and inflated. 5’x3’x3’.
1977- "Ten from File" Columbus Gallery of Fine Art. Curated with
cat. by L. Alloway.
Con(jug)ate 5 1977. (Drawing)
Correction Tape and Avery Dots on Board. 30"x22" 1977 "Drawing
as Process" Akron Art Institute. 1979 "Drawing on Sculpture" Bertha
Urdang Gallery, N.Y.
Constructed Bowl 2002.
Stoneware. App. H. 16" d. 11".
Cordoba c. 1990.
Acrylic on Vinyl. Estimate 2’x6’x2’. 1992 - "St Laurent’s Bubble
Chamber", Gallery Vistavka, Ukraine Union of Artists, Kiev.
Coromandel Coast no l 2000-2002.
Stoneware. Approx. h 14" w. 23" d 14"
Coromandel Core no 1 2000-2002.
Stoneward. Approx. h. 14". W.16" d. 12".
Cyclops 1986.
Mixed Media. 3’x2’x8". 1989-90 "I Keep Working" Bertha Urdang
Gallery. N.Y. . 1989 "TAO III" Ohio Wesleyan University.
D:
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Dance 1973
Vinyl. c. 4’x40’x4’ 1997 "Seeing Abstractly: Two Artists" Upper
Arlington Cultural Arts Commission.
Dance, 75/6
Vinyl. c. 3'x3'x30'. 1997: "Seeing Abstractly" Upper Arlington
Cultural Arts Commission.: "Exerpts from a Grand Unification
Theory" Christine Price Gallery, Castleton College, VT.
Dance- after Degas 1975
The Carnegie, Covington, KY. 2004
Dancing Genes
1986- 2003. Acrylic on vinyl. Inflated app. 7’6”x10’x3.6” 1986: Rhodes Hall competition, OSU. 2004: Carnegie Art Center, KY.
DNA, '73-74.
Vinyl and polyethelene. c. 16'x5'x5'. Studio only.
Double Diminution. x 9 1981.
Tallest is approx 14" x various. Vinyl ink printed on vinyl. 1980
- "Columbus Art League Invitational" curated and cat. by Jeanne
Fryer-Kohles".
Double Zeeman 1978-79.
Compact ordering of spatial arrangement for complete Anolatabulata
set.
App. 26" x 26". Made from vinyl ink on vinyl print c. 54" x108"
cut and welded. 1979 - "Drawing on Sculpture" Bertha Urdang Gallery,
N.Y. (Catalogue with essays by Robert Pincus-Witten and Philip Huneke).
1992 - Gallery Vistavka, Ukraine Union of Artists, Kiev. 1995
ISIS Symmetry, Washington, D.C. 1997 "TAO IV" Upper Arlington
Cultural Commission. 1997 "Excerpts from a Grand Unification Theory
1973-1977" Christine Price Gallery, Castelton, VT. (Solo). Refer
to Anolatabulata.
Drawings:
"Antioch Graces"c.1981.
2 parts each 26"x181. Ink on Graph Paper.1982: "Selections: Ohio
Arts Council Fellowship 81-82" Antioch College, OH.
"Antioch Graces - finding z/o "c.1981 .
Size est. 26"x78." 1982: "Selections: Ohio Arts Council Fellowship
81-82" Antioch College, OH
Plumes:
"Analytical Drawing for 3 Plumes" 1983. Ink on Graph Paper. 26"x100".
1983: In "Eccentric Progressions" Urdang Gallery, New York.
Radial and Concentric Subdivisions c. 1983.
Colored pencil on chart paper 54”x c114”. The Carnegie, Covington, KY. 2004
St Sophia 1983.
(a)" Projecting z/o" c. 26"X26" Ink on Graph Paper. (b)" 4 part
Drawing for St Sophia" c. 26"x120". Ink on Graph Paper. 1983: Gallery
of the Graduate Center at the City University of New York.
E:
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Eccentric Progression Urdang Gallery Installation 1983.
Gallery View showing "Gold Plume" and "Red Plume" with "Silver
Plume" mostly obscured. For Provenance Details see Gold or Red Plume.
Emma
2001.
Bronze c. 35” x 35” x 35”. 2007, Shirley-Jones Gallery, Yellow Springs, OH
Emma Jackson 1983,
Fiberglass resin over vinyl. 1984- "Preparation and Proposition"
Islip Museum, Long Island, N.Y. Installation. Originally "Life Sculpture"
series now in "Matriachal Series". Resin stripped waiting for plaster
bronze conversion.
Entrance to the Garden 1998.
Resin over acrylic on vinyl. 102"x72"x54". 1989-90 "I Keep Working"
Bertha Urdang Gallery. N.Y. (Solo). 1990 "TAO IV" Katz and Dawgs,
Columbus, OH.
Environment I 1971-3.
In "Alternative Experience with Form". Egg shaped hollow made of
resin set in a composite "minimal" box. Experienced closed. For
extended provenance see "Alternative Experience with Form".
Equi-angular Spiral, 1974.
Polyethelene. c. 8'x12'x3'. Studio only.
F:
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Flo 1993-2000. (previously called Bi-Cornuate).
As Plaster c. 46"x119"x 28" Plaster stage exhibited -- 1995 "Symmetry:
Culture and Science" ISIS (International Society for the Interdisciplinary
Study of Symmetry) Washington, D.C. 1997 "Excerpts from a Grand
Unification Theory 1973-1977" Christine Price Gallery, Castleton,
VT. 1997 "Seeing Abstractly: Two Artists" Upper Arlington Cultural
Arts Commission.
Flo 2000.
Bronze. 1/7 individually textured. c. 46" x 119" x 28".
For Spacious Skies 2001.
Handpainted acrylic on flame-proof blackout cloth. c. 10’x23’x10’.
Inflated. 2002 Riffe and Rhodes State of Ohio Office Towers before,
during and after July 4 Co-sponsors - Riffe Gallery of the Ohio
Arts Council and Ohio Building Authority."For Spacious
Skies." 2002: Carnegie Center for the Visual and Performing
Arts, Covington, KY. 2003 - TAO VII, Upper Arlington.
G: H: I: J:
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Geometric Platter 2002.
Stoneware. About 18"d. In New Zealand.
Gold Plume 1982.
Acrylic on clear and opaque vinyls. When inflated occupies space
c. 7’x7’x7’ 1983 -"Eccentric Progressions" Bertha Urdang Gallery,
N.Y. 1983 "Triple Helix", Ohio University at Lancaster. Cat. by
Dr.F.Kalister. 2003 - Tweed Museum, U. Minnesota; 2004 Stedman Gallery, Rutgers U. N.J.; 2004 University Museum, Richmond. VA.
[TOP]
Herd, c 1972.
Multiple cell shapes with "breather" blower. 1972: Cincinnati
Zoo Arts: 1973: MFA thesis exhibition. OSU, 1973.
[TOP]
Into to Woods – after Gaudi. 1992.
Acrylic on Vinyl. Inflated. 12’x12’D. various. 1992 - "7th Annual
Curated Exhibition" Columbus Art League. Fort Hayes, Columbus. OH.
1992 single element in "Invitational Group Show" Urdang Gallery,
N.Y. The Carnegie, Covington, KY. 2004.
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Jacob's Ladder. "Drawing after Jacob's Ladder"1979.
4'x6'. Tape on Chart Paper. 1979: "Drawing on Sculpture"
Bertha Urdang Gallery, New York.
Jacob’s Ladder 1979
Screen printed vinyl. 5 9 units. Approx. 16.5" x variable. 1981
Columbus Art League, Columbus Museum of Art. Juror B. Haskell.
Award.
Jane 2000.
Jane (previously bi-cornuate) 1992-2000 with Jane
Bronze. 1/7 completed 2000. H. 74" w. 19" depth 32". Base 5.5"
x 28" x 28".
Exhibited as a plaster - 1995 "Symmetry:Culture and Science"
International Society for the Interdisciplinary Study of Symmetry"
Washington, D.C. 1992 "Seeing Abstractly: Two Artists" Upper Arlington
Cultural Arts Commission.
As a bronze: 2007, Shirley-Jones Gallery, Yellow Springs, OH.
Judy c 1972.
Bronze. 17"x18"x24.5". 1973: MFA Thesis Exhibit,
Ohio State University; 1973: Columbus Art League Exhibition. Award.
K: L: M: N: O:
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Landform II 1972.
Ceramic, plexiglass and painted hardboard. 23"x11"x11". 1972 Graduate
Student Exhibition, O.S.U. 1973 MFA Thesis Exhibition, Ohio State
University Department of Fine Arts.
Life Sculpture 1983.
Series of fragile resin- covered vinyl made in 1983-84. 1983 --
Islip Art Museum sub-installation in "Preparation and Proposition".
Left to right "Spermatazoon"; "Legs" later called "Emma Jackson";
"Torso" later called "Eliza Royale". In 2002 "Spermatazoon" and
"Emma Jackson", stripped of resin, waiting conversion to plaster
then bronze. "Eliza Royale" in plaster.
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Mad Gravel Pond 1973-74.
3 Polyethelene tubes c. 40’x15"x15", concrete blocks and line.
Also in 1975 - floated at Sebasco, Casco Bay, Maine.
Mandala, 1973.
Polyethelene, mirror and tape. 1973: MFA thesis exhibition, OSU.
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Nebula, c. 1990.
Acrylic on vinyl. A variably sized compilation of experiments. The Carnegie, Covington, KY. 2004
Not Me 1993.
Two panel, two sided. Each 89"x54"x8". 1995 "Painting" Christine
Price Gallery, Castleton, VT. The Carnegie, Covington, KY. 2004
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Obelisk, 1973.
Polyethelene. c. 60'x4'D. MFA thesis exhibition, Ohio State University,
1973.
Open 1977.
Vinyl c. 12’x12’x12’ May be exhibited up or down. . 1977- Faculty
Exhibition, Sullivant Hall, The Ohio State University. 1978 - Akron
Art Institute (Solo).
Open 1977 (frilled variant)
Vinyl. Approx. 36"x18"x36".
Open 1977 - analytical dot drawing.
Avery coding dots, pencil, on paper. 18"x24". 1980 "Drawing on
Sculpture Helices" 74th St. portion of two part exhibition. Bertha
Urdang Gallery, N.Y.
Open 1977 - as a multiple.
Each c. 12’x12’x12’. 1978 "Drawing on Sculpture Helices" Bertha
Urdang Gallery N.Y. 74th St.
Open Universe, 1977.
The Carnegie, Covington, KY. 2004
P: Q: R: S:
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Plainsong - Proportion. 1977.
Clear vinyl. app. 9'x4.5'x3.5'. 1978: Columbus Art League Exhibition,
Columbus Museum of Art.
Portuguese Man O’War 1993.
Acrylic on Vinyl. 10’x 4’x 4’ plus various. 1993 "Arlington Artists:
Celebrating our Own", Upper Arlington Cultural Arts Commission.
Selected with catalogue essay by P. Denning.
Potential, 1974.
Inflated vinyl. 1974: Springfield Gallery. 1975: OSU Faculty Exhibition. The Carnegie, Covington, KY. 2004. Six Sculptors, Bluffton College, OH. 2005, Dimensions Variable, Truman State Universtiy, MO.
Primary Form or Sphere 1972.
The Carnegie, Covington, KY. 2004
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Red Plume 1982.
Acrylic paint on vinyl and canvas. Inflated. 10’x 4’x 4’. 1983
- "Eccentric Progressions," Bertha Urdang Gallery, N.Y. 1983 "Triple
Helix" Ohio University at Lancaster. Cat. F. Kalister. 2004, The Carnegie, Covington, KY. 2005, Ohio Art League, View from Dione.
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Sand Spiral 1973.
Drawn on Popham Beach, Maine..
Sea Cucumber 1986.
46"x24"x24". Acrylic on vinyl, coated with resin. 1989-90 "I
Keep Working" Bertha Urdang Gallery. N.Y. (Solo). 1990 "TAO IV"
Katz and Dawgs, Columbus, OH.
Spermatazoon 1983.
Each 15’x3’x3’. Life Sculpture Series. Fiberglass over vinyl. 1984
"Preparation and Proposition" Islip Museum, Long Island, N.Y.
Installation.
Sphere 1973
Automobile Upholstery vinyl. Inflated. 7’D. 1973 "Alternative
Experience with Form", MFA Thesis Exhibition, Ohio State University..
1973 Creative Art Center, Purdue University . 1974 Dennison
University Gallery. 1992 Gallery Vistavka, Ukraine Union of Artists,
Kiev. 1997 - Christine Price Gallery, Castleton College, VT. 2004, The Carnegie, Covington, KY.
St Sophia 1983.
Acrylic on napped vinyl. About 10’x56’x10’. Constructed in 1983
for Concourse Gallery, Graduate Center, City University of New York,
N.Y. 1984 - Give Peace a Dance" Nuclear Freeze Benefit, Columbus,
OH. 1984 - Christine Price Gallery, Castleton, VT. 1987 - TAO II,
Fort Hayes, Columbus, OH. 1998 - "Convergence VI", Providence, R.I..
Drawings for St Sophia 1983. (a)" Projecting z/o" c. 26"X26" Ink
on Graph Paper. (b)" 4 part Drawing for St Sophia" c. 26"x120".
Ink on Graph Paper. 1983: Gallery of the Graduate Center at the
City University of New York. 2004, Providence Rhode Island. 2005, The Carnegie, Covington, KY. 2007, Upper Arlington Cultural Arts
Summer Helices 1974.
10’x 25’x10’. Colored vinyl. Inflated. 1974 "Art and Technology"
Columbus Festival, 1974; 1981 "Sculpture ‘81" Upper Arlington
Cultural Art Commission. (Award). 1992 - "Summer Helices" ICMC Conference,
Kiev. Ukraine. Collection of "Sens", Kiev.
T: U:
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Thel 1989 (previously called Shanks).
Resin over vinyl 40"x60"x14". 1989-90 "I Keep Working" Bertha
Urdang Gallery, N.Y. . 1990 "TAO IV" Katz and Dawgs, Columbus.
OH. 1992 "The Figures Edge" University of Akron. OH. 1997 "Excerpts
from a Grand Re-Unification Theory 1973-1977" Christine Price Gallery,
Castleton, VT.
Three Graces 1973
Ceramic. Each 23"x10"x16". Collection Lloyd H. Siegel. 1974 Columbus
Art League, Columbus Museum of Art. Juror Marcia Tucker.
Thwarted Experiment 2001.
Acrylic paint on vinyl. c. 20"x40"x40".
Triple Form Identification 1972 - 3.
Student zipping up one unit in "Alternative Experience with form"
exhibit. For Provenance see "Alternative Experience with Form."
Triple Form Identification 1972-3
3 units c. 68"x26"x26". Outer form inflated vinyl. Inner platform,
wood, steel, concrete. For Provenance see "Alternative Experience
with Form".
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Uni Body 1989.
Acrylic on vinyl with resin cover. 1989-90 "I Keep Working" Bertha
Urdang Gallery, New York.
Universe "Emergent Universe" c. 1980.
Vinyl ink on vinyl. c. 3'x3'x24'. 1982: Selections: Ohio Arts Council
Fellowship Exhibition- 1981-82. Antioch College, OH.
Universe in Red, Yellow, Purple and Whoite. c. 1999.
Fabric 12’x5’D should also have Gallery Vistavka, Kiev, 1992. St Sophia, 1983. The Carnegie, Covington, KY. 2004
Universe Print 1980
Vinyl ink on vinyl. An example of many used for sculpture. 1980
- Shown in "Drawing on Sculpture" 57th Street exhibit of two part
exhibit at Bertha Urdang Gallery, N.Y.
Universe Series - Portuguese Variant.
Viinyl ink printed on vinyl. c. 20’x5’x5’ Used as catalogue illustration
for "Selections: Ohio Arts Council Fellowships 1981-82" Antioch
College, 1982.
Universe IV 1980.
Vinyl Ink printed on vinyl. c 20' long. 1981: Urdang Gallery (57th
St), New York.
Untitled, 75.
Soft Vinyl. c.3'x20'x3'.1975:Columbus Art League Sculpture and Crafts
Upper Arlington DNA, c 1981.
Vinyl ink on vinyl. c. 4'x2'x3'. 1981: "Sculpture 81"
Upper Arlington Arts Commission..
Upsarta 1986.
33"x20"x27". Acrylic on vinyl, coated with resin. 1989-90 "I
Keep Working" Bertha Urdang Gallery, N.Y.
V: W: X: Y: Z.
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Wind Pavilion 1994.
Acrylic on vinyl. 10’x4’x3’ each. Collectively c. 12’D.
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