|
Conceptual:
The conceptual work exhibited in the 1973 graduate thesis
exhibition, "Alternative Experience with Form" followed an
intense study of the figure and the lost-wax method for bronze
casting. Then, losing interest in the results of observing
the outer form, I began to think about interiors, looking
out rather than at.
The egg piece , "Environment No. 1" simulates
foetal existence within its lightless enclosure.
The 7' D, stretch vinyl "Sphere", gives an
interior experience as it reflects sound back on the participant.
"Triple Form Identification" changes ones
outer limits, giving a sense of becoming something else.
The large pods of "Hearts" connect two people
via an extended stethoscope. With hearing as the only sensory
clue, the experience is that of being an extension of someone
else.
|
