Curatorial Experience
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1987-00
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Program Director, TAO, a volunteer, not-for-profit: Three major international projects - |
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| 1997 |
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Akio Hizume's "Democracy Steps for Cedar Falls", an extensive permanent installation for Ohio Department of Natural Resources. Catalog Essay. |
| 1992-93 |
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Initiated exchange between three U.S. artists who did solo exhibits in Kiev and visit of two Ukrainian artists with Soviet Poster exhibit. |
| 1989-90 |
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Shaanxi-Ohio Exchange of Art and Artists between Shaanxi Province, P.R.C. and State of Ohio. Catalog Essay. |
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| 1981-95 |
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As Independent Curator: |
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| 1990 |
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"Moving the Margin" Emily Davis Gallery, Akron University. Catalog Essay. |
| 1986 |
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Curator and producer for "Jan Harrison:Painter". A videotape produced by TAO. Video Tape. |
| 1984 |
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"Minding Measure: Measuring Mind", Islip Museum. Installations by Mel Bochner, Ann Dewald, Barry Le Va, Thomas Macaulay, William Ramage, Judy Rifka. Catalog Essay. |
| 1983 |
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Co-ordinated arts community and prepared proposal for Living Arts Building, Columbus, OH. |
| 1982 |
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"Aspects of Perception" Andersen Gallery, Virginia Commonwealth University and Emily Blum Institute, Bard College. Installation exhibits plus symposium and invited speakers. Artists: Enrique Castro Cid, Benni Effrat, Thomas Macaulay, John Davies, Nahum Tevet, Heidi Gluck, David Leach, William Ramage. Virginia Symposium: Howard Risatti, Michael Kubovy, Bruce Goldstein, John Davies. Proceedings editor - Marilyn Zeitlin. Bard Lectures: Morse Peckham, Arthur Danto edited by Linda Weintraub. Overall co-ordination by Michael Jones. Catalog Essay. |
| 1982 |
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"Ten Solo Exhibition". Wright State University, Dayton. OH. Artists: Terry Dike, Hudson, Audrey Skuodas, Jan Harrison, James Friedman, Vicki Mansoor, David Leach, Ron Kroutel, Gary Schwindler, Marty Kalb. Invited by Michael Jones with OAC funds. Catalog Essay. |
| 1980-81 |
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Symposum Consultant to Oberlin College for "Supra-Classicism - The role of Systems in Twentieth Century Art". Sponsored by Cleveland Foundation. |
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| 1975-80 |
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As Director, O.S.U.Gallery of Fine Art.
Developed from one person to staff FTE of 9. Initiated stimulating contemporary programming of national and regional art plus faculty and student exhibits. 5 sites, 10-14 changes per quarter. Visiting artists and/or critics Autumn, Winter, Spring.
Established Contemporary Collection.
Wrote O.S.U. Challenge Grant Proposals for the Museum Enrichment Programs of N.E.H and N.E.A.
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| 1974-75 |
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As Director, O.S.U. Hopkins Gallery.
Expanded exhibit options to include national as well as regional art and artists.
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| 1973 |
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Symposium Assistant for "The Arts in Higher Education". An O.S.U. Dept of Art special project. |
| 1971 |
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As Graduate Student one of three initiating Graduate Student Materials Scholarship fund using annual exhibition "Graduate '71" as focus. |
| 1970 |
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Founding member, Columbus Community of Working Artists. |
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| 1964-65 |
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Initiator, joint-owner and craftsperson for small crafts gallery, Swarthmore, PA. A co-operative sales gallery with exhibit space for professionals national repute. |
| 1957-65 |
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While homemaker, Vice-President of pre-school group that leased and re-furbished a disused library building with funds raised in the community. |
| 1955-56 |
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Administrative Assistant to Dean of Science and Registrar, Victoria University of Wellington. |
| 1946-50 |
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Majored in Business with advanced accounting, Wellington Girls' College. |
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